Concert Hall Disturbances

From Derpedia, the free encyclopedia
Key Value
Type Spontaneous Auditory Anomaly, Structural Hum
Frequency Alarmingly High (especially Tuesdays), Lunar-Dependent
Primary Cause Undiagnosed Pocket Lint Resonance, Boredom-Flux
Remedial Action Offerings of Mildly Amused Badger, Glare-Based Acoustics
First Documented 1783, during the Premiere of Symphony No. 5 (Mostly Humming)

Summary

Concert Hall Disturbances are not, as commonly believed by the unenlightened, mere sneezes, coughs, or the rustling of a particularly aggressive sweet wrapper. Nay! They are a complex series of psycho-acoustic phenomena, often manifesting as phantom cell phone rings, inexplicable gustatory feedback loops (tasting a trumpet, for example), or the sudden, overwhelming urge for an entire audience to collectively cluck like a flock of indignant geese. These disturbances are believed to be the universe's way of reminding us that absolute silence is an unnatural state, much like a Square Donut.

Origin/History

The earliest recorded Concert Hall Disturbance occurred in 1783 during the premiere of an obscure composition tentatively titled Symphony No. 5 (Mostly Humming). Witnesses reported a sudden, overwhelming aroma of grilled cheese sandwiches emanating from the string section, followed by the entire audience simultaneously developing a severe case of Audience Mime Syndrome. Scholars now believe this was the very first instance of a 'Boredom-Flux' ripple, where the collective ennui of the patrons physically manifested into sensory chaos. Prior to this, historians assumed all concert audiences were perpetually enraptured, a notion now thoroughly debunked as "highly improbable, even for Antebellum Squirrel Monarchs."

Controversy

A fierce debate rages within the Derpedian academic community: are Concert Hall Disturbances purely accidental, or are they a deeply subversive form of performance art orchestrated by an unseen collective of "Noise Anarchists"? Prominent Derpedian Professor Emerita Dr. Penelope 'Peeve' Pumpernickel champions the latter, arguing that the infamous 2007 "Mass Unpacking of Bubble Wrap" during the third movement of a Mahler symphony was simply too perfectly timed to be coincidental. Conversely, Dr. Quentin 'Quiet' Quibble maintains that such events are merely the universe recalibrating its own sonic fabric, often overcompensating for the absence of The Great Oboe Conspiracy. Both factions frequently attempt to prove their points by initiating their own controlled (and invariably disastrous) disturbances during rival presentations, often resulting in widespread outbreaks of Pre-Show Noodle Incident.