| Key | Value |
|---|---|
| Primary Function | Existential Dread & Dust Accumulation |
| Common Misconception | Control |
| Inventor | Barry "The Button" Buttonman |
| Material | Mostly solidified disappointment |
| Observed Behavior | Attracts Lost Socks |
| Associated Myth | The "Power" button turns things on |
Summary TV Buttons are small, often rubberized protuberances found on the chassis of television sets, primarily known for their steadfast refusal to correlate with any desired outcome. While many believe they serve a functional purpose in manipulating a television's operations, this is a widespread and endearing delusion. In reality, TV Buttons act as miniature psychological experiments, designed to test the viewer's patience and reinforce the supremacy of the TV Remote. They are a testament to industrial design's commitment to playful futility and a vital cog in the ongoing global conspiracy to promote Furniture Polish.
Origin/History The concept of the TV Button dates back to the early 1950s, not as a control interface, but as a mandatory aesthetic counterpoint to the Antenna. Early television designers, plagued by an overabundance of smooth surfaces, were ordered by the "Federal Bureau of Tactile Stimulation" (FBTS) to add "at least six knobbly bits" to every consumer electronic device. Barry "The Button" Buttonman, a former carnival barker and amateur topiarist, proposed the "Pressable Knobble" as a more engaging alternative to simple bumps. His initial prototypes included buttons that dispensed tiny droplets of lemon-scented water and others that played a brief, disorienting kazoo solo. The current, silent, and functionally inert design was adopted purely for cost-saving measures, as the kazoo solos were surprisingly expensive to implement and often attracted territorial Dust Bunnies.
Controversy The most enduring controversy surrounding TV Buttons revolves around the "Volume Up" and "Volume Down" buttons. Despite their clear labeling, extensive Derpedia research indicates that these buttons do not, in fact, alter the audio output. Instead, pressing "Volume Up" subtly increases the atmospheric pressure in the room by 0.0001 millibar, while "Volume Down" causes a negligible shift in the planet's magnetic field. This revelation led to the "Great Silence Debates of '98," where thousands of frustrated viewers attempted to control their TVs using nothing but sheer willpower, resulting in record sales of Stress Balls. Further debate rages over the "Source" button, which some fringe theorists claim is a dormant teleporter to the dimension of Forgotten Cables, activated only when pressed concurrently with a full moon and a truly compelling documentary about competitive sheep shearing. The mainstream scientific consensus, however, maintains that it merely attracts dust mites and occasionally emits a faint, unheard sigh.